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Make some calls, get a collaborator lined up and let’s get going.Secuend Install Steinberg Nuendo 5.1.1 Built 651 (32Bit) Update. Naturally, to complete this tutorial, you’re going to need some help – not just from us but from a friend with a microphone or instrument and an audio interface. You’ll find the tools to do so in the VST Connect editor panel.
To counter this, the full uncompressed (or HD, as they’re referred to here) audio files can be offline-downloaded from the performer after recording. The files transferred to the studio are stored as WAVs but their data is compressed for transfer, which may result in a loss of fidelity. Then, in the VST Connect editor panel, use the input channel pan controls to send each input to only the left or right side of the VST Connect bus. If that’s the case, create new mono tracks in Cubase and source their inputs from the left or right VST Connect bus.
The remote recording bus is always stereo, although this isn’t always what you’ll want – you may, for example, wish to record a single mic or two separate mono signals. When you initialise the system, a new VST Connect stereo input bus will be created, and a new stereo track named Performer Rec added to your project. Once logged in and linked with a collaborator, you’re ready to start recording. This app doesn’t allow recordings to be dubbed back to the studio though. There’s also a related iPhone app, Studio Pass, which allows iPhone-based collaborators to be sent mixes in real time from VST Connect Pro so that they can chip in with thoughts and opinions via the app’s live video and talkback links. Alongside effects, VST Connect allows for one VST instrument to be added to the setup – any instrument you choose must be installed on both the studio and the performer’s computers – and, once enabled, this allows MIDI data to be streamed and recorded across the remote connection too. By default, these effects are applied to the performer’s direct monitoring signal only but the producer can choose to assign them for recording too.
VST Connect Performer also has a series of in-built effects – reverb, EQ and compressor – as well as four insert slots for additional VST processors, which will first need to be installed on the performer’s computer. Hopefully, this will leave the artist free to focus on their performance. Once everything is set up though, the producer will be able to remotely control the mix and monitoring settings via VST Connect Performer, as well as set up hardware settings such as input busses and buffer sizes. The I/O built in to most computers suffice as a last resort but ideally the performer will be using a recording-grade audio interface, with sufficient mics, preamps and input channels to connect all of the sources that are to be recorded. The desktop version of the app is free but the iOS version has a small cost (£4.99 at time of writing), presumably to cover the overheads involved in publishing via Apple’s App Store.Īlthough VST Connect Performer doesn’t require Cubase, Nuendo, or any other DAW to be present on the user’s system, it does require access to audio I/O of some sort.
This standalone application for macOS, iOS and Windows acts as the performer’s link to your studio. It’s the third application though, VST Connect Performer, that is the most robust. SE can only record two channels simultaneously via the remote connection but its big brother VST Connect Pro (£128) provides a more complete suite of features, including up to 16 tracks of recording, encrypted transfer and support for operating via a LAN. There are three key VST Connect applications: VST Connect SE is built into both Cubase Pro and Nuendo, and provides the basic studio end of the link-up.